Since the creation of the Fondation d’entreprise Hermès in 2008, La Verrière has become a key part of the exhibition space landscape in the Belgian capital, while also taking on an international scope. Open to the public free of charge, it exhibits artists from a diverse range of backgrounds as part of curatorial projects imagined specifically for the space’s unique light. Its programme is at once demanding and eclectic, and seeks to address a broad audience.
La Verrière
La Verrière
The Foundation’s exhibition space in Brussels
Located in the Louise neighbourhood in the midst of the Belgian capital’s art schools, galleries and cultural institutions, La Verrière offers a window onto contemporary art. The space was originally a car garage lit by an Eiffel-style skylight which abutted the Brussels Hermès boutique. When the maison acquired the site in 1999, its president Jean-Louis Dumas was struck by the beauty of the space and its unique light, and decided to transform it into a contemporary art gallery. One year later, La Verrière opened its doors to the public, borrowing its name from the vast skylight that spans the gallery. Ever since, it has allowed the artists that it hosts within its walls to quite literally be seen in a new light.
When the Fondation d’entreprise Hermès was created in 2008, La Verrière naturally fell within the scope of its actions. From 2008 to 2012, the artistic direction of the space was overseen by Alice Morgaine, who invited both emerging and seasoned artists, as well as other figures working on the margins of established circuits. All were afforded the same freedom to imagine a solo exhibition based on new bodies of work. By extending an open invitation to each artist, the Foundation fulfilled its commitment to contemporary creation.
From 2013 to 2022, critic and curator Guillaume Désanges steered the programme of La Verrière by way of a number of thematic cycles, each of which unfolded over several years. Each cycle opened with a group exhibition, followed by a series of solo projects that featured the work of lesser-known figures as well as creators already active in the world of contemporary art. The three successive cycles – “Gestures, and thought”, “Ballistic Poetry” and “Matters of Concern” – were all marked by an attention to ecological issues.
In charge of programming since 2023, curator Joël Riff has imagined La Verrière as a space for coming together and a lens for bringing into focus. He looks to break down barriers within the visual field through a programme that brings into dialogue visual art, applied art and decorative art. His exhibitions take the form of “extended solos” that gather a diverse range of creators around a central artist in order to open up different ways of perceiving their work. This approach foregrounds the work of both young artists and creators operating beyond the mainstream of contemporary art.
Since 2008, through its curatorial programme and the close accompaniment provided to invited artists, La Verrière has stood out for its commitment to the artists and the promotion of art among a broad audience.
Informations
Curators of La Verrière
Alice Morgaine, from 2008 to 2012
Guillaume Désanges, from 2013 to 2022
Joël Riff, since 2023
Publications
From 2013 to 2022, an issue of Le Journal de La Verrière was published to accompany each exhibition.
Since 2023, a booklet has been published for each “extended solo”.
Practical informations
La Verrière
Boulevard de Waterloo 50
1000 Brussels
Free entrance
Tuesday to Saturday
From 12 p.m. to 6 p.m.
Mediation
Every day, a guide is on hand in the exhibition space to present the works to visitors.
Group booking available (for visits in French, English, Dutch or Belgian French sign language (LSBF)):
- Group guided visit (from 30 minutes to 1 hour)
- Extended visits (1 hour 30 minutes, tour continues beyond the space)
Booking: laverriere@hermes.com